Want to get involved with my new project? Here’s the link.
Below you’ll find the images shown in the video along with the media and tools I used to create each.
Want to get involved with my new project? Here’s the link.
Below you’ll find the images shown in the video along with the media and tools I used to create each.
A look inside my sketchbook as I start a new project and review my current favorite sketching tools. See my go-to paper, pens, pencils, markers; everything in my everyday carry kit for sketching.
Instead of the chronological approach I've used in the past, I now dedicate entire sketchbooks to individual projects, tasks, or idea categories. I've found this helps me to organize information and find it quickly when I'm searching for it later.
Here's what I'm currently recommending (it's a substitute for my favorite, but still quite good) Although the Muji A5 dot grid with elastic is my all-time favorite, lately the stock on Amazon has been outrageously priced (in-store, they're ~$4 each).
After more than two decades of working for other architects, John decided to step out on his own. In part 2 he recounts the move from moonlighting to starting Eponymous Architecture and his early client work. He shares the difficulties he’s faced along the way, how he’s structured his life and practice, where he’s been finding new projects, and even a few unexpected advantages of going solo. This is a window into the early days of starting an architecture firm from nothing.
1:01 Testing the waters
1:59 Making the leap
3:51 The Lean Startup – Software + Hardware
5:37 Challenges of Sole Practice
8:30 Material library (in a small space)
9:47 Becoming a Better Architect
11:49 Your Portfolio (of someone else’s work)
15:21 One Year. Enough time?
17:02 Why Eponymous?
**Did you miss part 1? Here’s the link: https://youtu.be/yOAIf6WX6mY
In this new series, I’m visiting architects and design professionals asking them to share the choices, challenges, failures, successes and failures that have shaped their careers. Too often we hear from only those architects elevated by the media to superstar status. These so-called 'starchitects' account for a small percentage of design professionals. And, the stories from the bulk of our ranks - a great many talented architects and designers – remain untold. This series gives voice to their stories.
We uncover early inspirations that led them to choose architecture, experiences in architecture school, internships, what firm typologies to look for, advice for taking the Architectural Registration Exams (ARE), how to find work and clients, working for and with others, networking and struggles building a business.
In the inaugural video of the series we meet John Clappi, a licensed architect living and working in Brooklyn, New York. He has more than 20 years’ experience practicing architecture in both Boston and New York City at a variety of scales from large developments to award winning Record Houses and private residences. He’s worked for two starchitects: Richard Meier of Richard Meier and Partners and Brad Cloepfil at Allied Works, both high-end, boutique design firms. In part 1 he recounts the school years and his early career pivot points as well as his experience working for Meier and Allied Works and time working on large scale developer projects in New York City.
In part 2, we’ll discover why he set out on his own, how he secured his first commissions and the challenges he’s facing as he builds out a larger vision for his nascent architecture studio: Eponymous Architecture, PLLC.
It’s a rare and candid look into the struggles designers and architects face as we seek to become licensed professionals and to find a life of true, creative fulfillment.
Taking a moment as I received a special package from YouTube on the studio's doorstep to reflect on an important milestone. YouTube recognizes creators at a few waypoints, the first being when you cross 100K subscribers, then 1M, and then 10M. Earlier in 2018, I crossed the first of those and this video is my thank you note. Ironically, the week I received the award the channel was passing 186K subscribers.
I'm so humbled by the support and kindness you've shown as I've worked over the past five years to make better things, more interesting content, and exponentially increase the number of people I'm able to reach + connect with.
I never thought I’d get this award, it’s certainly not something I set out to achieve. To think that 100,000 people thought enough about what I had to say to subscribe is just a completely silly notion (especially when I look back at some of the things I’ve made in the past). In the beginning, I focused on sharing knowledge and documenting what I was creating. As time went on, I started to have higher expectations of my work; I became interested in filmmaking, composition, color grading, audio, and storytelling. I think I make a lot better things than I used to, but I'm nowhere near as good as my heroes or as I want to be. And, I know when I look back on this in another year’s time I’ll see what I made today wasn’t that great either.
However, without a body of work to look back on, I’d have no context to see the journey. It's important to remember that we can’t possibly make our best work the first time we publish something, it takes practice, discipline and the knowledge that most of what we make won’t live up to our own high standards. In time we get better. This was the 196th video uploaded to YouTube for me; that's a lot of practice!
I hope this inspires you to take action and to make things. See my path and take comfort in the fact that I just pressed 'publish' - even when I wasn't capable of executing at my own high standards. Pressing publish is the only way to improve. There are no more gatekeepers, if you have access to the internet and a smartphone you too can speak to millions of people if you choose.
Thank you, thank you, thank you, for allowing this kind of life to be possible and for being such an important part of my story on YouTube.
I used to thumb my nose at conferences, but this year something changed. I decided the island I've been living on felt a little too isolating; a little too small. And so, I thought brushing up against 26,000 other architects might be a good excuse to get out of my own head and see what everyone else in this profession was up to. I secured a press pass to attend the 2018 AIA (American Institute of Architects) national convention in New York City and I came away surprised by just how much I enjoyed it.
If you're an introvert - like me - it’s easy to avoid large groups of people, but even introverts need to network with others and to hear new ideas. I've learned time and again that whenever I'm able to step outside my comfort zone, great things happen and this experience didn't disappoint. I met viewers of this channel, students, interns, and architects from all around the world of all ages.
A few of the things I came away with:
+New ideas + inspiration
+Larger network of connections + contacts
+Deeper connection + appreciation of NYC
+Behind the scenes info. on buildings & systems
+Cutting-edge information via seminars + thought-leaders
+New product info.
+Some really amazing food
+Chance to meet & collaborate with IRL an amazing friend and mentor from down under.
Stick around to the end for details on how you can help shape the future of this channel and a chance at one of five, one-on-one chats with me, here's the link.
In this installment of the vlog, look through a drawing set for a project under construction and learn how I approach and draw architectural details. I discuss one of the most common struggles of working alone, what happens when a project is delayed, how to create a balanced practice, and I share my thoughts on the innovative business plan presentations I reviewed as a juror for the architecture business plan competition.
Don't miss the view from my mid-day hike (!) and what I learned on the podcast I was listening to.
As architects, our job is to uncover what’s hidden...in a place, in our clients, in the materials we use. We're taught to make our discoveries visible and tangible. We're taught to give the silent a voice. To do this, we explore, analyze, consider, dissect, unearth and seek to understand the meaning of things which are often hiding in plain view. Finding a muse is one of the best tools I've discovered to teach the depth of research and skill required to become a more thoughtful designer. A muse will teach you how to truly see like an architect.
Learn more about mine here:
Architects build scale models for many reasons: they're a form of three-dimensional sketching, they help us visualize how light will illuminate spaces, they help us analyze the best forms, spatial and material relationships. Even with so many digital tools that are faster, more accurate and easier to change architects still build physical models, why? In part, because the act of making and manipulating things with your hands has been shown to produce more efficient, more creative, and insightful solutions to problems.
Learn more and watch as I build this tiny model in the video.
Looking to improve your architectural photography? Learn the stylistic and technical fundamentals to help you take better photographs of architecture whether it's your own work, or someone else's. In this video I share with you some of the amateur mistakes I made when I was first starting out so you can avoid them in your work.
Photography is an essential meta skill I think every creative needs in their toolkit, it teaches you about light, composition, texture, color and narrative and it will help you document your surroundings, your design projects and your travels in a more professional style.
Links to the gear I use:
* Canon 6DMKII http://thirtybyforty.com/6dmkii
* Canon 80D: http://amzn.to/2fBWGMQ
* Canon 24mm f2.8 Lens: http://amzn.to/29l7ac5
* Canon 40mm f2.8 Lens: http://amzn.to/29x2QcI
* Canon 10 - 18mm f4.5 - 5.6 IS Lens: http://amzn.to/2vyErvS
* Canon 24-70mm f2.8L Lens: http://amzn.to/2DMt0Y5
* Canon 16-35mm f4L IS Lens: https://amzn.to/2Emj9Ev
Follow a typical day in the life of an architect. Part architecture vlog, part behind-the-scenes look at some of the tasks architects work on each day: from designing a set of elevations to managing projects in construction, to writing specifications, to managing an office, and how to deal with the inevitable creative blocks creatives face on a daily basis.
I intentionally structure my day to be divided between making in the morning and managing in the afternoons, with a mid-day transition break for exercise. Learn why this works for me and follow along as I work through some of the most common struggles an architect faces in daily professional practice.
For aspiring architects, architecture students, and those curious about exactly what it is that architects do each day.
Featured gear in this episode:
An excerpt from a conversation I had with Maleick, a 22-year old architecture student from Baltimore. He’s preparing to graduate architecture school this spring, making plans, weighing his options and struggling with the anxiety of not knowing what’s next.
Twenty-two years ago, I stood where Maleick stands today, entering the profession with the same concerns, the same worries. And today - twenty-two years later - I’m no longer an architect. Yes, I have the degree and the license and buildings I’ve designed, but the profession I stepped into back then no longer exists. There are no more architects in the singular sense of the word. Today I’m a photographer, a graphic designer, a marketer, a filmmaker, a writer, a negotiator, an editor, a curator, and a creator. Professional practice is anything and everything we design it to be.
Approaching practice with a creator's mindset has allowed me to explore a spectrum of influences and interests and incorporate those into my work as an architect. In much the same way, my architectural training informs and colors my other creative pursuits.
The uncertainty remains though as a part of life. What do you think? Did I get it right? What advice would you offer a soon-to-be graduate?
A review of one of my all-time favorite books; one I think every designer should own. Part review and part personal reflection, it's a continuation of my previous video on goal setting. As I struggled with my traditional goal setting exercise this year, I stumbled on a new methodology and consulted a formative book in my library for guidance. In this video I share how that book has shaped my architecture practice and my approach to life.
I view books as the raw materials of creativity. Looking at and learning from the work of others is crucial to the development of your personal style and sampling from every possible source you can: graphic designers, authors, engineers, sculptors, every field is essential. The deeper your understanding of what’s out there the more source material you have to draw upon and the more things you can smash together to craft your own style. Study those you admire, not to replicate their style (you don’t want to look like them) but to see like them.
A special thanks to my grandfather, whose counsel I miss each day, but who will always live on in my studio and work.
After a brief break for the holidays, I'm excited welcome 2018 and get started on everything I have planned. With my design boards full of new work + new collaborations, and a renewed vision for the YouTube channel, I wanted to share one of my favorite videos from 2017 here on the blog. Cheers...!
Sharing (a few) of my favorite items from my everyday carry - all under $20 - that every architect (and student) needs as well as a philosophy on living a creative life. These tools are the raw materials for design, the inspiration comes from within, in this video I share how I refill my creative stores week after week; it's a reminder for architects, aspiring architects, and students alike.
Here are the tools mentioned:
1” Cardboard Stencils (the Midori set in the video I found to be too small)
Alvin .7mm Mechanical Pencil (good for bold pencil work, see below for my favorite for general sketching)
Dot grid sketchbook (alternate to Muji above)
Learn how you can use the Sun to locate, orient, shape, and inspire the details for your architectural design. In this video, I walk you through the design process for a project whose form, orientation, and details were all developed by carefully analyzing the solar path on the building site.
**White pen I'm using (+ loving)
In this design tutorial I'll show you how I develop and sketch floor plan ideas quickly. From diagram to rough sketch and on to more formalized plan layouts, you can follow along as I show you everything you need to draw a floor plan using one of our new residential projects as an example.
Reviewing two architecture books: Operative Design + Conditional Design and sharing my thoughts on the kit-of-parts design methodology they promote. Together these volumes are an excellent primer on architectural form making, iterative design, and can serve as handy portable, pocket-sized reference manuals. The diagrams are beautifully composed in full-color and the accompanying text - although brief - offers enough information to guide the reader / viewer on the book’s use. Recommended for: architecture students, teachers and professionals looking to revisit first principles or reinvent their own tired formal language.
Learning from the life and work of Charles and Ray Eames, in this video I discuss why it's important to approach problems with the mind of an amateur. The Eameses believed in never delegating understanding and that one must learn by doing. It's this ethos of experimentation and the use of various media types for artistic expression that's fueling my architecture practice today. And, it's positively effecting how many people I'm able to reach and impact in the world. You'll learn how I've applied the amateur strategy to release my first film and to make better architecture.
***I'm also proud to announce that my short film: A Choice to Make (you've seen it on YouTube right?) was selected to be screened at the 9th annual Architecture and Design Film Festival held in NYC (adfilmfest.com) on November 1st through 5th of 2017. I'll be there and if you're in town, I'd love to meet you there too. Come say hi and feast on some architecture films at the CINÉPOLIS CHELSEA, 260 W 23RD St, NY, NY.