Drawing Resources

My love of technical drawing led me to choose architecture as my profession.

I’ve been fortunate to work with and learn from design professionals who share a similar love for the craft of delineation. They taught me the importance of line weight, hierarchy and composition and we shared the belief that our drawings should be as beautiful as they are functional.

In the vein of this year’s theme of Kaizen - continuous improvement - I wanted to share  a few of my favorite architectural drawing resources. Whether you’re a student or a pro, I think you’ll find them invaluable:

Detail in Contemporary Residential Architecture (book series)

Basically detail porn. I appreciate the high graphic standards + varied examples of complex details executed in contemporary buildings (homes, commercial, landscape, cultural, eductional) across a variety of materials: timber, concrete, glass, steel, masonry, etc.

A few of Sean Godsell’s Architectural Working Drawings

Houses by Sean Godsell

Features his construction (and presentation) drawings alongside photos of his - thoroughly modern - built work. The text is engaging and thoughtful and although the construction drawings in Houses by Sean Godsell might not always prioritize aesthetic perfection, they excel in demonstrating a profound technical understanding of detailing and jointing techniques. This functional emphasis makes them particularly valuable for anyone keen to deepen their grasp of how buildings are put together practically and durably.

Construction documents shown above can be viewed online here.

Templates

Sometimes the best way to learn is to actually download and forensically evaluate how other design professionals draw. I’ve made my templates available so you can get set up in less than one hour with a clean, clear graphic style (title blocks, text + dim styles, hatches, title blocks + lineweights). I’ve even made some of my architectural floor plan working drawings (and the lighting + electrical plans) from the Outpost project available for download.

I’ve also made a few instructional tutorials on drawing + my graphic style, here’s a recent one:

Life of An Architect Blog

Bob Borson an his epic blog resource is a fellow architectural graphics + drawing convention evangelist. We both graduated architecture school at a similar time as the profession was transitioning from analog to digital documentation. Our training focused on drawing by hand. This - in part - I think forced us to learn the craft of delineation and sheet composition in a different way. Laying a sheet out by hand for an ink on mylar set is an entirely painful process; one you only want to do once! Which forces you to be considered + efficient with everything you add to the drawing and how it’s depicting becomes very important.

His multi-part series on Architectural Drawing + Graphics is a must-read.

HABS (Historical American Buildings Survey)

I’m a modernist through-and-through, but this is a resource even I can’t ignore. Complementing HABS, is HAER (for engineering), and HALS (for landscape) and each is a collection of building surveys from the American architectural, engineering, building and landscape culture maintained by the Library of Congress in Washington, DC.

This is a deep, diverse well of material to study + learn from.

Victoria and Albert Museum (London, UK)

Famous for its comprehensive collection of decorative arts and design. Its searchable archives (unlike many online museum sites) easily lead you to some wonderfully detailed and rich architectural drawings, sketches and even architectural models by some of the masters.

The Getty Research Portal

Access to an extensive collection of digitized art history texts, rare books, and related literature which can be a valuable resource for architectural research.

Detail Magazine

A German architectural journal (quite pricey, actually!) that focuses on the technical aspects of building design and construction. It features in-depth project analyses, detailed construction drawings, and innovative material applications. The link will take you to an issue list, clicking on an issue will allow you to preview approx. 20 pages of each issue.

Architectural Graphic Standards

This is the bible for design pros detailing building materials, construction techniques, and architectural elements through illustrations and technical drawings. I’m including it because - as a reference book - there’s nothing like it. But, for inspiration, I find it lacking. It’s like a dictionary, everyone needs one, but it’s not something you ever read cover to cover.

Vintage manuals

The image above is from the "Vintage Mechanics Vest Pocket Reference Book, Wolfe & Phelps, 1943." My grandfather, a machinist, left me this as part of a large collection of manuals. What's remarkable about these pocket guides is the necessity for clear, well-composed drawings due to their small size, 3”x6”. This constraint meant the information had to be concise, carefully considered, and often used keynotes for further details on subsequent pages. Notice the use of white space—it's important! Through minimal linework and strict graphic standards, these guides effectively delivered comprehensive information with exceptional clarity.

Online Plan Rooms

Google “your state” + “plan room”. You may or may not have to create an account depending on the jurisdiction but you’ll have access to all projects currently out to bid. These can be good for learning the depth of information we show on documents, but please note that some of the sets I’ve seen leave a lot to be desired in terms of graphic clarity. Larger cities will have higher throughput, like this one.

Notion for Design Professionals

We all want to use our time efficiently and minimize effort spent on the administrative side of our design practice. Searching endless folders or open tabs for links to products you swore you found last week, trying to recall the milestones you agreed to or where the current Gantt chart lives and share it with the team isn’t a good use of anyone’s time.

I use Notion for all of this and more.

Notion has served as a second brain for me for a few years now; it’s the best “all-in-one-productivity and project management tool” I’ve found for both personal and professional documentation. It’s intuitive, capable and infinitely flexible; a blank canvas that can be almost anything you want. The open-ended structure is a strength when you know how to use it, but can be a little intimidating when you're just getting started and unsure of how to set up your workspace.

If you’re unfamiliar with it, watch the videos below to get set up; continue reading if you’re already using it see how I’ve set my workspace to run my design practice.

Getting Organized

Every Sunday I plan my Weekly schedule which is simply a favorited page that resides in the upper left corner of my workspace. I use the Maker’s Schedule + Manager’s Schedule as the structure for the week to keep me on-task. Also notice the annual objectives (set in the video above) are just a click away and serve as a reminder of the bigger goals and priorities I’m working toward each year.

I used to live in my inbox with the window open and collecting emails all day long. Every notification lured me back to the inbox, wasting my time and distracting me from the deep work that needed doing. The work that would push my business and projects forward. Maybe you can relate?

Using Notion has changed that. Now, I live in my “Week of” board which makes explicit the priorities I’ve set on Sunday rather than my inbox which is filled with the priorities of others.

Week Of Schedule Page (click the image to enlarge)

Below the schedule, I keep two to-do lists, one related to home the other for the business and a task table which is linked to my calendar. This is a great place to catalog recurring tasks you might otherwise neglect: like your annual architecture license renewal, LLC document filings, annual reports, etc. I also use it to schedule my regular monthly invoicing, which is something I’ve been getting better at over the years. I invoice every client, every 4 weeks, no matter what (setting a reminder in the task table is really helpful when you have multiple projects running).

Sharing Inspiration Images with Clients or Team

Embed images from site visits

When entering the task on the table, you can use tags to assign it to a project, a person, or anything you choose. Then, on the project page, you can copy this table and filter the view to show only those tasks related to the project, or a team member, or any other tag you’ve set up. The tables are called ‘databases’ and are the key to unlocking the true power of Notion. If you’re running a team, each member can utilize a custom dashboard showing only their projects, tasks and deadlines.

This summer I’ve had an intern working in the studio and I build out the weekly task list each Sunday for the week ahead so it’s clearly laid out for them when they arrive on Monday. I can include links to SOPs and all the project files and information they need in one place. This saves both us time and limits questions (“Check your Notion dashboard”).

Task Table

Filtered Task Table for a Team Member

Any project specific commitments can be embedded directly in the weekly schedule by pasting a link to the project page or, even links to specific blocks from any page. In the schedule above you can see I made a site visit on Wednesday afternoon and the To-Do list for that project is hyperlinked right in the schedule. Clicking on it brings me to the project dashboard and the in-progress items for each stakeholder are immediately visible. Each toggle by the stakeholder can be clicked open revealing the outstanding items, documents and anything related right there.

Below that is a task table with a filtered view of the tasks related only to this project.

Project Dashboards

Dashboards are simply a collection of the various building blocks available to you in Notion: text, images, hyperlinks, images, videos, tables, quotes…the list is long. I create one for each project, and once you have a format you like you can turn it into a template to use for all projects (download my template to see the one I use).

When starting a new project this template brings over all your office standards in one click. My project template has an embedded a project brief, meeting notes templates, site visit templates, design and documentation checklists, code and site analysis information, client and contractor onboarding information, links to questionnaires, task tables, and more.

Don’t let this overwhelm you, all of this can be built out, customized and added to over time to suit your needs.

Creating custom dashboards for clients with all the project information you want to share - current drawings, checklists for next actions, contracts, permits, invoice due dates, and project wikis - empowers you and your clients/collaborators to seek out the information they need rather than picking up the phone, emailing, or worse - texting you - to ask! Simply share the project dashboard and teach them to check there for updates.

Project Specific Task Table

Checklist Example

As design professionals, our work involves handling an abundance of information. From site and field documentation, to client and contractor requests for changes, to design ideas and inspirations; all of the administrative tasks of project management can easily crowd out the exciting work that drew us to this profession, which for most of us is design.

I've found that Notion has provided a framework that's easy to keep updated with to-do checklists, preconfigured systems, a place to collaborate with clients, consultants and contractors, and a place for me to collect and organize all of the administrative minutiae in one place. No more stickies lining my monitor's perimeter, or bookmarked links in random folders; when it's project-related, I have a place to paste it and keep track of it.

Download my template and watch the videos above for more details on how it can help organize your professional practice.

Still not convinced?

A few more Reasons I use notion

In the past I’ve used Trello, Asana and Evernote to run and organize my business operations. While Evernote was searchable, it was messy. Trello and Asana were as customizable as I had wanted. And implementing templates and systems with each was hit or miss. These are some of the strengths of Notion and considerations when choosing a new tool:

  • Easy to use + implement

    • Onboarding with Notion is simple; a very low learning curve. Advanced features unlock more potential, but take longer to comprehend and integrate. It can grow with your needs.

  • Systems Oriented

    • Templated work will save you time managing your projects + administrative tasks. Notion allows you to create custom templates for almost anything you can imagine: projects, notes, files, tables, etc.

  • Collaborative

    • Sharing Projects + Pages with clients and collaborators is easy and allows everyone to see the most up-to-date files, checklists and information. You can assign tasks and comments to others by right-clicking on any object, assigning a due date and custom requests.

  • Searchable

    • Notion allows you to find the information you’re looking for quickly and reliably, listing every instance of your search phrase while typing. Evernote used to be amazing at search but the more I loaded it up, the less functional it became.

  • Customizable

    • Collating various media is important for our work as designers: images for reports + inspiration, video embeds, hyperlinks, product ideas + references, notes, checklists, tables…Notion has them all. Simply click the + to add. Dragging blocks around is intuitive so you can create the structure that suits your needs.

  • Graphically Pleasing

    • With a minimal interface, Notion can be what you want. Add images, banners, colors, etc. Out of the box, it just looks good and if I’m sharing this with clients I want it to be representative of my brand.

Architect + Photographer

Studying adjacent disciplines has always yielded new perspectives and inspiration for my own creative work so I jumped at the chance to serve as a juror for this year's APA Architectural Photography Competition. I asked Mike Kelley, the founder of the APA, to join me to review my final selections, offer advice on what makes a great architectural photo and dig in to a wide ranging set of topics from the use of human scale, to lens choice, post-processing, color, composition, drones, and shooting techniques.

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Moving Forward + Looking Back

In that quiet period between Christmas and New Year’s I always sneak an hour or two to reflect on the year as it draws to a close. I make note of what’s gone well and what hasn’t gone to plan in both my personal and professional life. I do this using Notion and this year I wanted to share my annual review process and let you in on the changes I’m making in the new year.

Read More

Fresh Inspiration from My Library

Books have always played a role in my design process. I recall many hours spent in the architecture library at university mining the shelves for new ideas. In daily practice one has to actively make space for seeking out fresh ideas and inspiration. I’ve found that some of the most inspirational books have nothing to do with architecture, they're in adjacent or completely unrelated disciplines. By consuming a variety of source material I find it easier to make connections and surface new ideas overlaying the work of others with problems I’m actively trying to solve in my architectural work. This is called bisociation, defined as : the simultaneous mental association of an idea or object with two fields ordinarily not regarded as related. A pun might be the simplest form of bisociation.

Here’s a list of the books highlighted in the video, in order:

Because my inspirations and collecting tastes are always evolving, I keep a record of what's inspiring me "NOW" on a dedicated page here on my site. When it's time to update it, I simply copy it so I don't lose record of it and can keep it as a running archive of how things have changed over time.

Venturing Out of the Studio

My longing for adventure has been building as the winter here drags on into March. As a salve for cabin fever and to satisfy my wanderlust I’ve been taking micro-excursions venturing out of the studio. This past Sunday, Laura and I headed off-island and eastward toward the Canadian border in search of new scenery and any hint of spring Maine could offer.

Black ledges

We’d traveled to Great Wass Island many years prior - with much younger boys in tow - to hike the 1700-acre preserve just south of Jonesport. Preserved by the Nature Conservancy in 1978, this hike traverses one of the forty-three islands that make up the Great Wass archipelago. And, it felt every bit as wild and unexplored as I’d remembered.

Nearly six miles of trail passes through coastal peat bogs, sedges, stands of jack pine and black spruce and the wooded first leg opens to the Atlantic and a series of broad granite ledges. A churning, frothy sea bordered the next two legs as the broken trail headed east roughly following the shore for several miles, weaving in and out of hidden coves strewn with perfect pearled cobbles of pink and gray granite. The trail moving from protected inlet to open ocean in short spans. A few of the cleaved granite spires rumbling as air trapped in pockets below clapped out on the rising tide.

Little Cape Point Trail

Footbridges over the bog

Cape Cove

As impressive as the natural scenery was, it was impossible to ignore the volume of human trash strewn amongst the flotsam at the shore washed in on storm surges. Trap lines and travelers, fathoms of rope, plastic bottles, hydraulic fluid, gloves and impossible lengths of black pipe, troubling artifacts in such a remote, seemingly-pristine place.

Leaving the studio is as much a part of my creative practice as drawing and building models; an intentional act. And yet, it’s not a choice easily made when deadlines loom or the pressure of publishing weighs heavily. I never regret it though. And, making it a point to document the trip is permission to become something I’m not: an artist, a photographer, an editor and a documentarian. It’s difficult to describe exactly why that is but somehow it makes me appreciate it all the more.

Black ledges

Little Cape Point

A special thanks to Finn Beales, whose book, The Photography Storytelling Workshop, is never far from reach. It’s a new acquisition in my library, I’m starting to wonder if it’ll ever see the shelf.

Sketching Details for a House (my analog + digital process)

Sketch with me in this video as I design custom details for the Outpost project. Inventing bespoke solutions to design challenges is the reason I love designing homes. The places you brush up against and interact with each day are a chance to invent novel solutions to common problems like how to hang your coat in a mudroom or an informal flip-down desk to write a check. And, quite often, if I'm stuck on a design brief, I’ll zoom in and begin sketching a detail. There’s something about the scale and how manageable it is to solve simple problems that helps me move forward.

For me, this process always starts with a design brief and my sketchbook (or iPad). Once I’ve fleshed out a few ideas and a direction for the design I’ll move into the computer to draw it more precisely. Starting informally with a sketch allows me to be free and fast with ideas and it leads me to other threads I hadn't anticipated. You'll see this in the video as I chase down a few of the more absurd ones.

Before sketching I also like to compile inspiration imagery (like the military field desks you see in the video) and I make sure to have a ruler nearby as I'm designing. Relating to the human scale is an important part of detailing and a ruler helps you set proper proportions for drawers, desk height, etc.

A trick I use as I'm drawing is to really think hard about the daily patterns of life around the subject I'm designing. How would someone use this space? What would they have in their pockets, what would their daily routine moving through or around this space be like? Placing yourself there and asking what would make this experience better, or more "delightful" leads to novel insights. Delightful is kind of a corny word but it’s the best descriptor I can think of. It's the thing that makes you smile when you see it, and say, “Wow, they really thought this through! They really considered what it means to live here, in this place.”

The point of sketching is to chase down all the bad ideas, all the strange threads of thinking, including the absurd. Be open to thinking differently and the invented solutions may surprise you. It's important to not to put too much pressure on it, these aren’t beautiful drawings, they’re process, they show the steps from one idea to the next.

sketch-like-an-architect-details-blog-1.jpg

Material Palette:

  1. Cork panel “Ebony”

  2. Matte Black - hardware + light fixtures

  3. White Oak Plank Floor - “Wheatfield” by Carlisle Wide Plank Flooring

  4. Felt

  5. Beach stone (sourced on-site)

  6. Cocoa mat

  7. White oak - Whitewashed finish

  8. Leather, Antique natural (Edelman) - desk surface

  9. “Anthra” Zinc

Learning to Sketch

I spend most of my day in a digital work environment and I’ll often find myself tweaking the smallest of details just because I can. Digital space is without limitation, yet creativity thrives on constraints. It’s the boundaries that we’re forced to work within that shape our work. There’s no question digital tools are an integral part of how we realize our architecture today and in the 25 years I’ve been practicing, those tools have changed and improved the way I work significantly. Digital tools are for executing ideas. I turn to my favorite analog tools - pencil + paper - to birth those ideas.

Sketching is thinking. Sketching is seeing. Sketching is learning. With pencil in hand, I’m a child. I think that’s part of the magic of learning to sketch, it allows me to see problems with a child’s mind, the mind of an amateur.

I designed the BLANK sketchbook because I know how transformative establishing a sketching habit can be. Buying a pair helps to support my educational mission on YouTube.

With gratitude

/Eric @30X40

An Incredible Resource for Architectural Inspiration

With more than 581,000+ architectural drawings, photos, and documents to download and use as you please, I couldn't keep this incredible resource to myself any longer. The HABS (Historical American Buildings Survey) along with HAER (engineering), and HALS (landscape) are a collection of building surveys from the American architectural, engineering, building and landscape culture maintained by the Library of Congress in Washington, DC. In this video, you’ll peek in the collection and see how I use it in my architecture practice.

The program was born in the 1930's during the Great Depression as a means to put unemployed architects to work with a mission to preserve and document the architectural heritage of America. Since then, the archive has catalogued more than 43,000 individual structures and more are added each year.

I use it for: creative inspiration, precedent research, to improve my architectural drawing, graphics and delineation techniques, and to study details from some of America's most famous works of architecture.

If you enjoy these videos, you can support 30X40’s work on YouTube by investing in a course, a toolkit or a digital tool. Many thanks!

Travel Habits of an Architect

I’ve been doing a lot of traveling lately so in this video, I wanted to share some of my architect travel habits for sketching and photography. These tips apply even if you’re not an aspiring architect and will help you wring the most out of any trip you take, near or far. (And, be sure to stick around at 4:46...wait for it...)

GEAR

My travel kit is as lean as it’s ever been, just a sketchbook, a few drawing tools, my camera gear (more details here) and a small laptop. You don’t need an expensive camera or special tools though to do what I do. The DSLR is an intentional choice for me as it forces me to slow down when I'm traveling. It makes me think about lens selection and composition, the subject, the lighting. It’s probably the single best investment I’ve made in the past 10 years (aside from travel).

**MY UPDATED DAILY CARRY CAN ALWAYS BE FOUND HERE.

For lenses on this trip I brought a wide zoom, a medium zoom, a telephoto and a macro. And this was way too many. Lenses are heavy and to lug these things around in a backpack in the tropics is…well, sweaty. Of the four I brought along, I used the 24-70mm and the 100mm most of the time. The zoom is great because the 24mm end on a full frame camera is wide enough to capture landscapes or interiors and the 70mm is perfect for details. Then you have the right around 50mm is great for portraits. So this one lens covers a lot of situations.

You'll learn why I reject guidebooks in general, my process for observing, documenting and then cataloguing my travels and you'll see what I do in the downtime between destinations.

Time Stamps:

  • 0:22 Start Now. Don’t wait until you arrive at your destination to start taking photos or sketching.

  • 0:42 Follow 30by40 on Instagram: http://thirtybyforty.com/instagram

  • 0:49 Travel Essentials.

  • 1:28 My Routine (Shoot then Sketch)

  • 1:55 Subjects. Not everything has to be architectural.

  • 2:53 Details + Materials = Experience. Learn to observe the world this way.

  • 4:46 Wait for it…

  • 4:55 Has this ever happened to you? Relaxing on the beach and out of nowhere…!?

Sketchbook - 50pages from Strathmore (trying something new…I quite like it)

White pen - ink isn’t semi-transparent, but flows nicely, not gummy at all

Copic Marker Set (grays) - essential (this is a set of 5 and includes a non-smudging Multiliner pen too)

Blue + Tan + Green + Yellow Copics are from the blending trio sets (they’re cheaper to buy as sets)

Mechanical Pencil (a personal favorite)

White colored pencil (wood-free)

Hallway Light + Room Numbers at The Williamsburg Hotel

Hallway Light + Room Numbers at The Williamsburg Hotel

SIDE NOTE: The Williamsburg Hotel (at 3:16) in Brooklyn, NY was designed by the London Architecture Firm: Michaelis Boyd and completed in 2017. We actually had no plans to stay here, but we arrived in NYC to an early season snowstorm and our connecting flight back to Maine was canceled. Our flight the following day wasn’t due to leave until 10pm, so at my better half’s urging, we traveled from JFK airport to Williamsburg in Brooklyn and spent the next 24 hours exploring the neighborhood and staying in this fantastic hotel. Completely worth the little bit of extra effort to get there from JFK.

Railing Study at The Williamsburg Hotel (clever design, but, man it really whistles in the wind!)

Railing Study at The Williamsburg Hotel (clever design, but, man it really whistles in the wind!)

(Architecture) Conferences. Why Bother?

I used to thumb my nose at conferences, but this year something changed. I decided the island I've been living on felt a little too isolating; a little too small. And so, I thought brushing up against 26,000 other architects might be a good excuse to get out of my own head and see what everyone else in this profession was up to. I secured a press pass to attend the 2018 AIA (American Institute of Architects) national convention in New York City and I came away surprised by just how much I enjoyed it.

If you're an introvert - like me - it’s easy to avoid large groups of people, but even introverts need to network with others and to hear new ideas. I've learned time and again that whenever I'm able to step outside my comfort zone, great things happen and this experience didn't disappoint. I met viewers of this channel, students, interns, and architects from all around the world of all ages.

A few of the things I came away with:
+New ideas + inspiration
+Larger network of connections + contacts
+Deeper connection + appreciation of NYC
+Behind the scenes info. on buildings & systems
+Cutting-edge information via seminars + thought-leaders
+New product info.
+Some really amazing food
+Chance to meet & collaborate with IRL an amazing friend and mentor from down under.

Stick around to the end for details on how you can help shape the future of this channel and a chance at one of five, one-on-one chats with me, here's the link.

 

Learning to See (Like an Architect)

 

As architects, our job is to uncover what’s hidden...in a place, in our clients, in the materials we use. We're taught to make our discoveries visible and tangible. We're taught to give the silent a voice. To do this, we explore, analyze, consider, dissect, unearth and seek to understand the meaning of things which are often hiding in plain view. Finding a muse is one of the best tools I've discovered to teach the depth of research and skill required to become a more thoughtful designer. A muse will teach you how to truly see like an architect.

Learn more about mine here:

Be an Amateur (Architect)

Learning from the life and work of Charles and Ray Eames, in this video I discuss why it's important to approach problems with the mind of an amateur. The Eameses believed in never delegating understanding and that one must learn by doing. It's this ethos of experimentation and the use of various media types for artistic expression that's fueling my architecture practice today. And, it's positively effecting how many people I'm able to reach and impact in the world. You'll learn how I've applied the amateur strategy to release my first film and to make better architecture.
***I'm also proud to announce that my short film: A Choice to Make (you've seen it on YouTube right?) was selected to be screened at the 9th annual Architecture and Design Film Festival held in NYC (adfilmfest.com) on November 1st through 5th of 2017. I'll be there and if you're in town, I'd love to meet you there too. Come say hi and feast on some architecture films at the CINÉPOLIS CHELSEA, 260 W 23RD St, NY, NY.

Developing the Concept: Architecture Short Course (part 2)

Developing the architectural concept into floor plans, designing the form, and refining the spatial ideas are all covered in part 2 of our architecture short course.

The first step in making the abstract concept real is to sketch a floor plan and then give that plan a three-dimensional form. A floor plan is a quick way of describing the hierarchy and relationship of spaces and it begins fixing their real physical dimensions and shapes. Throughout the design process architects must continually consider the design in both the plan, or overhead view, and the sectional, or volumetric view. The easiest way I’ve found to do this is to begin by sketching a plan and then construct a three-dimensional version of that plan either in model form or by sketching.

In order to get to three dimensions, we have to make some decisions about form, space, and order. When we speak about form we’re referring not only to a building’s shape but also to its size, scale, color, and texture…basically, all the visual properties of an object. Form has a direct relationship to space in that it influences both interior and exterior rooms. And lastly, order is how we choose to orient and relate the forms and spaces to each other. This directs the inhabitant’s experience of a place.

We'll review strategies for refining the floor plan, designing meaningful building forms, editing, and converting two-dimensional abstract concepts into three-dimensional buildings.

Simplicity - An Architectural Manifesto

A short musing on simplicity; illustrated with residential architecture. Simplicity builds no more than necessary. Simplicity makes room for living rather than things. Simplicity is rational. Simplicity values craft... and material. Simplicity rejects excess. Simplicity invites reflection. Simplicity appears effortless. Simplicity is efficient. Simplicity lends small gestures... great importance.

Studio Project: Plywood (as a wall finish)

My design studio acts a lab for experimentation, in this video I discuss lessons learned from installing plywood as a finished wall surface. The four main discussion points covered are:

1) Material thickness: 1/2" - 3/4" typical range. NOTE: if you're using sprayed foam insulation in your walls, the plywood covering must act as an ignition barrier for the foam - thickness will be critical. Thickness also affects: translation of framing inconsistencies to the finished surface, stability and price.

2) Panel cores and veneer faces. Steer clear of the Chinese Plywoods. Choose panels from the same lot and age if possible. Veneer plywood has a front and back side; the less banded side is the finished face. Take care when cutting to avoid material blow-out.

3) Attachment. Concealed versus exposed fastener. I recommend a concealed clip as well as a tip for aligning the finished face of the panels (it's a special fastener).

4) Finishing. Determine the project goals first, then select the finish. Mine were: - Low sheen - Preserve natural wood appearance - Easy to apply - Non-yellowing

I review oil-based and water-based finishes, Danish oil, spar varnish, paste wax, natural soap (Hans Wenger furniture), and finally WOCA oil + lye.

For a broader material discussion please see the video for part 1...

As always I welcome questions and feedback; you can reach me at: eric (at) thirtybyforty.com

Studio Project: Concrete Slab (as finished floor)

In this video I discuss five important considerations with a concrete slab that will act as a finished floor:

  1. Installer / subcontractor

  2. Color

  3. Consistency

  4. Control joints

  5. Reinforcing

You might also consider building a mock-up especially for large floor areas to ensure you’re getting the finish you expect.

I finish the video reviewing progress with a time lapse video of the slab placement and finishing.

Framing is up next...

Flat roofs and snow: 5 myths (busted)

In this video I dispel 5 common myths surrounding the use of flat roofs in snowy climates. The very notion of shelter is linked to the image of a roof above our heads. And while the elements of snow and rain may shape our living habits, advances in material technology and application now afford us a broad range of choice when it comes to the shape of the roofs over our heads. Contrary to popular belief, even those of us living in extremely snowy, wet environments are able to live beneath a flat roof.